A Little Nuts about Podcasts, Part 1

I have to admit that the bulk of the time and attention I used to devote to books have lately been encroached by podcasts. It’s not necessarily a new medium–for years I’ve listened to staples such as Radiolab and Pop Culture Happy Hour but my fixation has become much, much more intense in the last three months or so. The thing with podcasts is that they often end up referencing other podcasts that I end up trying as well.

Though I inevitably spike shows that I don’t find particularly engaging, the list of podcasts that I follow is still distressingly long. Here is the list of the ones I truly enjoy, conveniently grouped into categories.

I. Roundtable-type Discussions

NPR’s Pop Culture Happy Hour (iTunes)

This is legitimately my favorite podcast of all time. It’s a delightfully casual but still incisive discussion of pop culture and the breadth that it encompasses. The panelists are Linda Holmes, Stephen Thompson, Trey Graham, and Glen Weldon, all of whom are connected in some way with NPR. Topics that they’ve tackled include comic book movie adaptations, The Bachelor Pad, John Updike, movie musicals, muppets, and roadtrip movies.

Over time you will learn that each have a respective predilection (Trey, for example, is a German art song enthusiast while Linda is a noted reality television aficionado) which the rest of the panel would lovingly mock. Their list of guest panelists, like Barrie Hardymon and podcast producer Mike Katzif, are also delightful.

Though they often discuss current events in pop culture, I think it’s perfectly easy to jump into the pool and listen to older episodes. Here are some that I particularly enjoy:

Scott Pilgrim And Our Great Big Blind Spots (August 2010)
The Art Of The Memoir And What We’ll Have On The Side (Nov. 2011)
On Endings And Road Trips (May 2012)

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Book 2, The Brothers Karamazov by Fyodor Dostoevsky

It’s been a long time, blog. The longer one puts off a task, I found, the easier it is to avoid it altogether. Even though I still continued to read, I succumbed to work-related stress and my own laziness when it comes to reading my doorstopper books. I’ve decided to not to be too harsh on myself this time, and simply record my thoughts without straining towards any sort of synthesis. So I’m sorry for people who would be looking for plot summaries or full on reviews, because you’re not going to find that here.

Anyway, on to Book 2 of The Brothers Karamazov.

What is this book about? I seldom experience this anymore, reading a novel and failing to grasp, at the very least, what the shape the narrative is taking. On one hand, The Brothers Karamazov (Ignat Avsey, trans.) is about a family of screwed up landowners and the effect that they have on the people who love, hate, and work for them. It is also an involved examination of the idea of redemption–whether all have the capacity of being saved, whether it’s only for some, or whether it’s available for no one at all. I know that there’s a murder that will occur later on but I don’t think I’ll ever claim that this is essentially a crime story, either.

Book 1, The Brothers Karamazov by Fyodor Dostoevsky

Well, here is the Mt. Everest of my bogus enterprise, the most daunting of all the doorstopper books I’ve planned to read in 2012. I know that I’ve also endeavored to read Tale of Genji and Don Quixote but there’s somehow a unique weight that comes with undertaking a Russian tome.

I read the first volume of The Brothers Karamazov back in college but I can’t actually remember much about it. I’m quite certain that i have read up to the infamous Grand Inquisitor chapter but I can’t recall much beyond that. Dostoevsky has always been daunting to me; I’ve tried multiple times to get into Crime and Punishment but I always back away from the intensity of it. I’ve built up a certain apprehension towards The Brothers K as well and was quite surprised that this particular iteration, as translated by Ignat Avsey, starts of in a pretty inviting–even jaunty tone.

Four characters are at the heart of The Brothers K. The patriarch is Fyodor Pavlovich Karamazov and his sons are, respectively, Dmitry, Ivan, and Aleksei (fondly called Alyosha by almost everyone). For the sake of brevity, I’ll simply list the pertinent events of Book 1.

Naermyth by Karen Francisco

It’s a little weird, writing this post months after having read the book and having given my copy away, but my personal need to chronicle my reading life is compelling me, so here we go.

Naermyth by Karen Francisco is a take on post-apocalyptic YA that combines the tropes of the genre with uniquely Filipino references. In this world, the creatures of mythology suddenly emerge and lay waste to most of civilization. In the Philippines, these are the creatures parents used to invoke to strike fear into children’s hearts, such as the aswang, sigben, and the manananggal. Only pockets of surviving and resisting bands of humanity continue to exist, including a fort in Manila that is protected by the so-called Shepherds.

The Shepherds venture to the aswang-infested territories of Manila to find surviving humans and lead them to relative safety. One of the most efficient and competent aswang-killers among this ragtag group is a girl that answers to the name Aegis. One day, she finds an unconscious man who is about to be attacked by aswangs and saves him, only to find out that this man has absolutely no recollection that the end of the civilization has occurred.

So far so good, right? I was initially interested in reading this book because of the premise. A sustained novel of this genre from a Filipino author has been a long time coming. I was ready to experience some intricate worldbuilding, a spunky heroine, and copious amount of Filipino mythology thrown in. All requisite boxes are checked. However, I found no pleasure in reading it because the first person point of view, the dialogue, and the plot twists struck me as utterly unconvincing.

Literary Blog Hop: March 8-11 – Reading Style, etc.

Today is my birthday so I guess this is as good a time as any to try something new and participate in the Literary Blog Hop over at The Blue Bookcase. I’ve been following this particular Blog Hop for a while now and I’ve always been fascinated by how much individual responses reveal about the bloggers. This week’s question is:

How do you find time to read, what’s your reading style and where do you think reading literature should rank in society’s priorities?

When it comes to finding the time to read, I’m afraid I can’t be a good role model for other people. I have a job that forces me to look at words and correct other people’s writing for eight hours (or more) so there can be days when picking up a book at the end of the day is the last thing I want. Those little timesinks called TV and the Internet also tend to have a very powerful effect on my attention span. However, I do try to read at least 10 pages a day, which I can usually accomplish while riding the bus or sitting down in fast food as I wait out the rush hour so I can then ride a bus. Thank God for weekends, because I can catch up on my reading then.

In general, I don’t take down notes or highlight favorite passages when I’m reading books. I’ve always been fascinated by other people’s marginalia and I’ve tried in college to develop that kind of habit but it never really took. Pausing to take down notes, I found, often breaks the rhythm of my reading. When I read The Name of the Rose, however, I found that I couldn’t go forward without taking down the names and book titles that the characters would rattle off. I still have bits of paper stuck inside my copy of that book that are riddled with incomprehensible Latin titles.

Finishing Midnight’s Children by Salman Rushdie

1st Diary Entry – Midnight’s Children
2nd Diary Entry – Midnight’s Children
3rd Diary Entry – Midnight’s Children

I was not prepared for the way this book ends. There has been too much foreshadowing, I thought, too many narrative obstacles hurled at me by Salman Rushdie, for me to be completely floored by how he would tie up this story. I was so very wrong. The last 100 pages of Midnight’s Children quite literally winded me as the whirl of Saleem Sinai’s world is once against devastated by the tides of history.

At the beginning of Part 3, Saleem suffers from an affliction that takes him from his destroyed life in West Pakistan to East Pakistan (formerly East Bengal, later on Bangladesh) where he and three other young Pakistani soldiers joined the war against the Bengal secessionists. What occurs there is a Heart of Darkness-like ordeal in the swampy jungles, where Saleem and his companions begin to lose not only their sanity, but also the pieces of their civilized selves. To be quite honest, this part became very difficult for me to read through. It is partly due to some stylistic idiosyncrasies that Rushdie chose to include and partly because I didn’t really care enough for the minor character to parse the meanings behind their fever-dreams. I was also not knowledgeable enough about the Bangladesh Liberation War to catch all the allusions he makes.

End of Part 2 – Midnight’s Children by Salman Rushdie

(Credits: The quote is from Salman Rushdie’s Midnight’s Children. The poster is by Brett Thurman on Behance. Click for better image resolution)

1st Diary Entry – Midnight’s Children
2nd Diary Entry – Midnight’s Children

A series of forced overtimes at work has eaten away at my reading time for the past two weeks and frankly, I’m still too busy stewing in my resentment, so this will be a short post. It’s already March but Dostoevsky will have to wait a few more days. : (

Things fall apart; the center cannot hold in Saleem Sinai’s childhood world. While far from idyllic, the Methwold Estate has given him considerable protection. However, his entry into puberty leads to a series of ruptures. Saleem discovers an aspect of his mother’s past that enrages him and his own family manages to inadvertently cut him off from the rest of the Midnight’s Children. These breaks culminate to his family’s ruin in India and their eventual migration to Pakistan.

300 Pages into Midnight’s Children by Salman Rushdie

Photo from Vanity Fair

1st Diary Entry – Midnight’s Children

Despite the inclusion of characters who live in slums and wander the streets to make money, Salman Rushdie is chiefly chronicling the lives of the affluent Indians in Midnight’s Children. This is an important thing to note because while Saleem constantly proclaims that his story is the story of India, he is telling it from his position on top of the country’s socioeconomic pyramid. His own home–a compound that used to belong to an eccentric British man named Methwold–cloisters him and his family from most of the turmoil that occurs in Bombay after India’s independence from British rule. Not that the members of his household are protected from the political and social changes around them; no one is untouched by that.

The circumstances of Saleem’s birth has shades of soap opera-style scandal and mystery but the most important aspect is the time when it occurred. He is born exactly at midnight of August 15, 1947, the day of India’s independence. This ties him closely to the 1000 other newborn babies that entered the world on the same hour but only Saleem earns himself a letter from Jawaharlal Nehru.

The First 100 Pages – Midnight’s Children by Salman Rushdie

I have tried reading Salman Rushdie’s Midnight’s Children three years ago and stopped within the first 200 pages of it. Although I have read The Moor’s Last Sigh beforehand, I still found myself confounded by this noisy, brash, and difficult book. This is exactly the reason why I chose to limit my reading resolution to one doorstopper book a month for 2012, so I can finally find the time to finish this Rushdie.

First let’s establish the baseline for why I find this such a challenging work. It is told entirely in First-Person POV by Saleem Sinai, a man scrambling to commit his life’s narrative to paper as his body starts to deteriorate and come apart. “Life’s narrative” is a difficult thing to qualify here, however, since Saleem himself is so cosmically entwined with India that his recollection spans three generations’ worth of familial and national histories. Saleem constantly intrudes upon the narration, offering glimpses into the future and editorializing the events for both the audience and his lover(?) Padma (she also intrudes into the storytelling). Midnight’s Children is practically the definition of postmodern literature: fractured, subjective, and confusing. It upends the conceit of the bildungsroman, which focuses on the life of a single individual as he grapples with history. Here, the individual IS history, and he shapes it as much as it shapes him.

The Nymph of MTV by Angelo Suarez

Angelo Suarez was 19 when The Nymph of MTV first came out, the product of a young poet already comfortable with wordplay and surreality and the enviable assurance that what he has to say will be heard. His debut certainly made a splash, garnering praises from the likes of Ophelia Dimalanta (who wrote the foreword for Nymph) and Cirilo Bautista, giants of Filipino poetry–this collection inevitably won a Palanca Award. More than technical brilliance, however, Suarez’s poems exhibit a deep accessibility of feeling and a sensuality that belies any assumption of inexperience.

Finishing Wolf Hall by Hilary Mantel

1st Diary Entry – Wolf Hall
2nd Diary Entry – Wolf Hall

There’s a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.

The storytelling structure becomes more or less conventional once Thomas Cromwell becomes the top dog in the eyes of both Henry VIII and the Boleyns. In the early parts of the novel, Henry was a sort of misguided yet not entirely unlikeable character, but by the end he has become a right bastard. Is it weird that I still root for Thomas Cromwell despite the fact that he is largely responsible for Henry’s descent into assholery? That’s what a masterful command of point-of-view can do, I guess.

A Visit from the Goon Squad by Jennifer Egan

My personal assessment of Jennifer Egan’s A Visit from the Goon Squad changes each time I think back on it. Sometimes I think it’s a trifling thing, made up of airy stories that don’t really have any staying power beyond the act of reading them. Other times certain passages simply haunt me. I change my mind even further whenever I read other people’s reviews of it, especially since time and winning the Pulitzer seems to have turned some people into dismissing Goon Squad and its importance. But after hearing Slate’s Audio Book Club Podcast discussing the book I think that I can comfortably put a stake in the ground: I love this book.

The buzz surrounding this novel originally came from its stylistic inventiveness and subject matter. It is series of loosely interconnected short stories that track the lives of several individuals across space and time. Many of them, like Benny and Sasha, are heavily involved in the music industry while others are more tenuously so. People pop up and disappear all throughout, turning the entire novel into a a treasure hunt of sorts as you try to discover what happens to characters that you care about. Time is the goon that the title refers to, a shadowy figure that roughs you up and beats you down when you least expect it.